frogboy4
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- Apr 13, 2002
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What Kind of Superman Film Should WB Make?
It’s been reported that WB and DC are trying to produce another Superman movie before the character rights become far more complicated. The exciting news is that they’d probably start from scratch and have “Dark Knight” director Christopher Nolan shepherd the project as a godfather. That’s the report, anyway. He wouldn’t write or direct the piece, but he’d come up with a good concept and push the film in the right direction. I don’t think he’d give it the Batman treatment. I believe Nolan would find the right pieces within the character to frame a compelling story for today’s audiences.
No one from “Superman Returns” is contractually attached, so this is a whole new ballgame. I liked the last film, including Routh and Spacy, but Singer made one rather wrong turn. He emulated the previous films rather than bring out the root of the character. Superman is not just icon or an alien. He represents the best of America during a troubled but hopeful time widely coined as “the Greatest Generation” in our country’s history. Any Superman film should be set in the 40s or 50s when newspapers still meant something and America was still optimistic.
I’ve always felt that people can’t relate to Superman because, aside from the fact he’s kind of a god, his personality is an artifact of an era long gone. They shouldn’t change him, but they shouldn’t stick him in a post modern world either. It just makes him seem campy like the gag with the Brady Bunch films.
Mark Millar wanted to create a trilogy of back-to-back Superman films rebooting the franchise from birth to the infamous death of Superman. I like the idea of a contained series. I think it should be a period piece with lots of action, some humor and roots in the rich comic book history stretched out over three pictures.
Any thoughts?
It’s been reported that WB and DC are trying to produce another Superman movie before the character rights become far more complicated. The exciting news is that they’d probably start from scratch and have “Dark Knight” director Christopher Nolan shepherd the project as a godfather. That’s the report, anyway. He wouldn’t write or direct the piece, but he’d come up with a good concept and push the film in the right direction. I don’t think he’d give it the Batman treatment. I believe Nolan would find the right pieces within the character to frame a compelling story for today’s audiences.
No one from “Superman Returns” is contractually attached, so this is a whole new ballgame. I liked the last film, including Routh and Spacy, but Singer made one rather wrong turn. He emulated the previous films rather than bring out the root of the character. Superman is not just icon or an alien. He represents the best of America during a troubled but hopeful time widely coined as “the Greatest Generation” in our country’s history. Any Superman film should be set in the 40s or 50s when newspapers still meant something and America was still optimistic.
I’ve always felt that people can’t relate to Superman because, aside from the fact he’s kind of a god, his personality is an artifact of an era long gone. They shouldn’t change him, but they shouldn’t stick him in a post modern world either. It just makes him seem campy like the gag with the Brady Bunch films.
Mark Millar wanted to create a trilogy of back-to-back Superman films rebooting the franchise from birth to the infamous death of Superman. I like the idea of a contained series. I think it should be a period piece with lots of action, some humor and roots in the rich comic book history stretched out over three pictures.
Any thoughts?