1st puppet progress

ravagefrackle

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looks like u rushed ahead a little to quickly, im not sure what hes supposed to look like, but i think u should go thru the tutorial on Sean's page
there is some great information on making a pattern for your material so that you dont waste the good stuff . sometimes in the learning process you need to take a few steps backwards for everyone step forward
http://swazzle.com/blogs/puppet101.html

post a drawing of your picture, so we know what you are trying to do, that would help alot.
 

Snark Blarmsten

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Hmm, not sure what you mean by rushed ... I posted a rough sketch in the first post of this thread:

http://forum.muppetcentral.com/showpost.php?p=375777&postcount=1

It's a rough one, but the general idea. I have been through the foam book and video two times, then began construction, following his directions exactly. In fact I have been being careful not to rush, since that is when mistakes are made. I do have patterns of all my pieces that I made.

I have followed Sean's tutorial all the way through to his latest post, but it seems they are two separate ways to build a puppet. I believe I will try his method next. (In fact, I may do arms his way instead of using foam). In fact, I'm thinking I like Seans methods better.

When I cut the neck, I made the measurements just as the video suggests. I really think my only problem was the choice of the long fur and not really knowing how to deal with its special qualities. Being new to this, well - it's trial and error I guess unless someone has any suggestions.

The big issue now is how do I attach the front of the neck that is hidden by the jaw TO the jaw - since it's all 2-3 inch fur. Again, I can cut it down but that does not give me a glueing surface.

What about this - glue a strip of material to the jaw on the front and the back, at the bottom - say a 1/4" thick. Then I could sew the fur to the foam using the material as an anchor. I can't think of any other way to do it, particularly with glue.

I took a look at the puppet this morning, and he's pretty solid. The neck is on good. Aside from the two issues of the mouth not opening as wide as I'd like and the jaw gluing issue, I think I'm okay. I'm sure the fur is going to present more challenges as I go along though...

Tom
 

ravagefrackle

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well here is my suggestionsince it looks like the head is covered in the same fur,

the neck should be stitched to the base of the fur skin you make for the head, not glued to the foam , if u want a sleeve that is attahced to the foam(not a necesity but some folks like them) then sew one on a machine that fits the inside shape of your head, and glue it about 1/2" up around the inside, the material u use should have a good one way stretch.the stretch should go around and not up and down. then when u have covered you head with the fur attched the fur nech to the head, (its also much easier than trying to glue long fur like that around the inside, ir looks like u have a pretty decent sized fur neck and i think u could simply remove it from the head, trim away the excess with the glue on it , and then reattach it to the head, if the neck then simply sew it to your fur body.or if u are making it so the head is removeable u can sew it to your neck sleeve that will allow it to spin in space inside the body , just a thought but i think that will solve you issue

and by rushed i didnt mean any offense, i remeber when i was firts staring out and getting excited about the results i was haveing and then comming to a spot were i thought i had it all worked out and hitting a wall. seems to me you have a great start going ,

hope that info helps
 

Snark Blarmsten

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No offense taken Ravage :smile: Now, that's a good idea - sewing the neck to the head fur. I bet that would alleviate a bit of the impingement problem too. So that would solve the jaw issue too - I would just sew the front of the neck fur to the fur on the jaw?

The head was not intended to be removeable, I'm not really concerned about that. I'll have to see if I can get the fur off without destroying it!

Tom
 

ravagefrackle

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it should, u may have to adjust your jaw pattern to get the most movement , its all going to be trial and error to see what works, i normally build one or two mock ups before i jump into a final, helps find and solve all those issues a head of time
 

Snark Blarmsten

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Interesting - how much work do you put into a mockup? Is it just paper or what kind of material?
 

Jinx

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Here's how I mock up a puppet

When I built Garth 2.0 I experimented with paper patterns first, glueing (or stapling if I was out of patience) them up to make sure that size and basic contours were correct. From there I glued up a foam skull using the same thickness, but lower grade of foam. Once I get to this point I stop using glue and go almost exclusively to sewing. I sewed the fur pieces together using a fur with a similar nap (fur length). Then I place the skull into the fur, making sure that I've left enough seam allowance for any edges that need to wrap around a foam edge or whatever protrusions might be present.
I have found that with my puppets I have not had to use any glue to join the skull to the skin, except at the mouthplate. The friction fit holds just fine.

For this particular project I made 2 practice skulls and 1 practice fur-skin. Then when I built the actual puppet I was able to do so much more confidently, as I had already built the puppet "twice" before. This is a great way to anticipate the inevitable unexpected problems you encounter when building a new design.

Of course I've saved and carefully labeled all of my pattern pieces in case I need to make a Garth 3.0!
 

puppetsmith

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ravagefrackle said:
i remeber when i was firts staring out and getting excited about the results i was haveing and then comming to a spot were i thought i had it all worked out and hitting a wall.
You mean it's not just me? :crazy: Eventually, one learns to WALK AWAY - GO TAKE A NAP! You can sometimes see the solutions more clearly after leaving the problem rest for a while.

Looking good Snark! Ravages advice should get you over the hump.
 

Buck-Beaver

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I think prototyping and building mock-ups is something that a lot of builders just starting out don't do, I know it was five or six years before I started doing that. It's an extremely valuable thing to do. I'm in the process of making a small bear and I've gone through five or six heads this week trying to get it just right.

That's one of the things that drives up the cost of custom-built puppets for film and TV. The actual building is relatively easy, it's the designing process that I find takes the most time.
 

Melonpool

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I usually make a little Sculpey model of the head... actually, i made them about 8 years ago and just use them as a reference now. That helps me tremendously when making the full-size foam version.

Then, I take 1/2 inch foam and make the basic shapes, using wedges and darts to make a full-size head. I even glue in a makeshift mouthplate out of neoprene. Then, I look at the "finished" mock up, with all it's sloppiness, and cut it down the middle into two mirror halves. I take the better of the two halves, cut apart all the darts where I can and trace the flattened foam piece onto a piece of sturdy paper. I can usually get the flattened half into 1 or two pieces for the final pattern. I do the same with the half mouthplate.

Then, all I have to do is trace the pattern twice onto foam, and trace the mouthplate twice onto whatever the final material is (gasket rubber, plastic, etc.), flipping it on the cut to make it symmetrical, and voila! A symmetrical puppet. I can even use the discarded "intact" half as a guide in putting it back together.

Now, the beauty of doing it this way is that it's now a symmetrical puppet -- and more or less repeatable since you have a pattern. So, when you do the "skin," you can pin a similar fabric directly to the final skull, only to where the two halves join, putting in all the darts, etc. Then you can cut away the darts and the outside edge of the low-grade fabric, and use that as a pattern twice on the final fabric.

It's a little disheartening to do so much work initially with the prototype head, but I like that I only have to do it once. I've made several puppets off the same pattern, changing features and whatnot, but never having to adjust the patterns one bit. For instance, all three of these puppets use the same exact head pattern:

http://www.melonpool.com/BLC/ralphdone.jpg
http://www.melonpool.com/puppets/Bob.jpg
http://www.melonpool.com/puppets/Hildy.jpg

In the long run, I think it saves a lot of time.

Steve
 
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