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 EPISODE 
                NOTES Statler 
                and Waldorf still have a bit more of their slower delivery that 
                they did in the Sex 
                & Violence pilot especially notable in the soft drink 
                scene. The aired version mixes new balcony scenes with already 
                shot ones and one can hear the difference when comparing them. Fozzie's 
                voice is a bit different. Think of a typical Frank Oz businessman-type 
                voice. Since the only Fozzie scenes that made it into the final 
                version was the cowboy sketch, they cover up for the difference 
                by having Fozzie ask Kermit just before going on if his "cowboy 
                voice" sounds like John Wayne. Interesting 
                that the very first two acts of The Muppet Show are both booed 
                off the stage! Juliet 
                has three costume changes: her orange dress she wears for "Solace"; 
                her plain black top she wears for the opening theme, exchange 
                with Zoot, and goodnights; and the black top with gold design 
                she wears in the backstage scene and the talk spot. In 
                the aired version, Kermit is sporadically changing in and out 
                of his tux partly to maintain continuity with the original version. 
                Kermit's costume changes are a bit more smooth here though it 
                does still seem odd that he gets into a tux to introduce Juliet, 
                changes out of it, then puts it on again for the closing number 
                and goodnights. Even in the original version, it appears Kermit 
                did an incredibly quick change since he appears backstage in his 
                tux just right after he comes off stage for Mahna Mahna. In Christopher Finch's description of the Juliet Prowse episode in his book "Of Muppets and Men", he refers to this version of the premiere, though he doesn't indicate that what he's mentioning is the original and largely unaired version.  He apparently saw both versions of the episode in writing his summary since he also alludes to Muppy biting Kermit which was only in the reworked version. |   
          |  
              
 DIFFERENCES 
                IN THE CLOSING CREDITS: -- Performers 
                are called "The Muppet Puppeteers" rather than "The 
                Muppet Performers". Jane Henson is given a credit though 
                it would be left out of the broadcast version. -- John 
                Lovelady is not given a puppet making credit in the original version, 
                but he is listed as "Muppet Production Manager" -- Don 
                Sahlin is called a "Special Fabricateur" -- Art 
                Director Paul Dean is credited as "Paul Dean Fortune" -- Richard 
                Holloway is credited as the "Stage Manager". In the 
                broadcast version, his title is changed to "Senior Floor 
                Manager" with "Floor Manager" credit given to Martin 
                Baker and "Stage Manager" given to Caryl Cruickshank. |  Juliet 
        Prowse - Original VersionTaping 
        Dates: January 29-February 1, 1976Original Airdates: None
 DVD Release: None (The reworked version 
        is available on: Time-Life, 2002; Columbia Tri-Star (UK HMV Exclusive), 
        2003; Buena 
        Vista Home Video, 2005)
  
        The 
          first two episodes of The Muppet Show were taped before the others as 
          pilots. These were later reworked with material shot much later in the 
          season. But what would the very first episode of The Muppet Show have 
          been like if the original version had aired? This entry of the Muppet 
          Show Episode Guide will take a look at the original version of the debut 
          episode starring Juliet Prowse.  Only about 
          a third of what was originally shot made it into the final aired version. 
          And as is the norm in television production, scenes are often shot several 
          times with the best bits of each take edited together So several scenes 
          that were in both the original version and the aired version have different 
          edits. Since it would have been difficult and expensive to get Juliet 
          Prowse back to retape new material, pretty much everything she did was 
          kept (though again, sometimes different "takes" were used). 
          References to scenes that Juliet was in like Gonzo's eating a tire, 
          had to be maintained for continuity. 
 This entry 
          of the episode guide will be a little more in-depth than usual since 
          with the normal episodes, we trust that Muppet fans have either already 
          seen them or will see them in the future. So we try to maintain a balance 
          between giving lots of detail without giving away all the jokes and 
          surprises. But since most fans probably will not see this episode, we've 
          provided all the dialogue and information on the stuff that wasn't in 
          the final version. It would 
          be great if this episode (and the original version of the second episode 
          with Connie Stevens) could be included as extras in future releases 
          of The Muppet Show season box sets. But since they were not included 
          in the season one set, right now the only way we know of for fans to 
          see this episode is by visiting the Museum 
          of Television & Radio in Los Angeles or New York. (Fans living 
          near one of these cities that wish to remain unspoiled may want to read 
          this entry after they've seen the episode.) OPENING 
          THEME 
 As everyone 
          knows, the first season version of The Muppet Show was very different 
          than the opening themes in the rest of the show's run. But the very 
          first version of the opening was even more different. It basically used 
          the same music, melody and concept. Dancers are in front of the curtain 
          and Kermit introduces segments of the show to have the curtain open 
          to reveal Fozzie's opening joke and shots of that week's guest star.  But the 
          original version was even longer with more verses! While it would make 
          a great addition to a Muppet music CD (are you taking note, Disney?), 
          it is rather long for an opening theme and would get a bit tiresome 
          week after week to have a good two minutes taken up by essentially the 
          same material which is probably why the theme was wisely shortened. 
          Had this been the first Muppet Show to actually air, it may have been 
          fun to include as a special introduction to the show. But shows were 
          not taped in the order they would eventually air, and had this been 
          broadcast in the middle of the season with the extended open, it would 
          have seemed out of place. The opening 
          theme begins basically the same as the regular one. Kermit opens up 
          the "O" in The Muppet Show logo to announce "It's The 
          Muppet Show with tonight's guest star, Miss Juliet Prowse" (though 
          this intro was later reshot) and then cuts to the logo rising in front 
          of the stage with the orchestra pit in frame followed by the shots of 
          Zoot with Crazy Harry and Rowlf at the piano.  The 
          next shot is the female chorus singing the first verse in front of the 
          curtain but not the same one that was later shot and used. The female 
          chorus does still include Janice and Miss Piggy in brown wigs with two 
          female whatnots. (The same chorus members reappear on the risers in the final verse.  One whatnot is a bit different than its replacement in the reshot opening.)
 Instead 
          of cutting right away to the male chorus, there's another brief shot 
          of Zoot and Crazy Harry in the orchestra pit. Interestingly in an odd 
          edit, the first frame of this shot can be seen in some masters of the third episode's opening theme (with Joel Gray) between the shots of Rowlf 
          and the female chorus.  Like 
          the previous verse, the male chorus was later reshot but the members 
          of it are a bit different. Boppity is still there but the other Snake 
          Frackle is there instead of Gloat. There is a male pig, but this one 
          has a big orange wig and rock-star like sunglasses and the fourth member 
          is a purple half-man, half-creature whatnot that looks even more bizarre 
          than the somewhat monstery looking whatnot that was later used. They 
          do a conga line as they sing:
  
        "It's 
          time to put on make-upIt's time to dress up right
 You'll see the strangest creatures
 On The Muppet Show tonight"
  
        (Unlike the female chorus, only Boppity and Snake Frackle reappear in the closing verse; the other two do not.) This is 
          followed by an animal chorus in front of the curtain made up of alternating 
          frogs and chickens that croak and cluck to the melody as the camera 
          pans down the line. The chorus line ends with T.R. Rooster (Frank Oz) 
          who announces, "Now here's our leader, Kermit the Frog!" Kermit 
          comes out from behind the red curtain and sings "The show tonight 
          will feature a lovely song or two..." as the curtain opens to reveal 
          Wayne and Wanda as they sing "You made me say I love you" 
          and the curtain rapidly closes back while the duo seems as if they're 
          building to a climax.  Kermit 
          comes back in front of the curtain and sings "We also have some 
          dancing if that's what pleases you". The female chorus makes an 
          encore appearance in front of the curtain doing a kickline.
 Once again 
          Kermit comes back and sings, "And Fozzie Bear will tell you some 
          jokes you never knew." Once again the curtain opens to reveal Fozzie 
          (BUT WITHOUT ANY EYEBROWS!) in front of his set piece who exclaims:  
        
           "A 
            funny thing happened to me on the way to the theatre, an old panhandler 
            came up to me and said he hadn't had a bite in weeks...so I bit him! 
            Sure it's an old joke, but he was an old panhandler!"  
        Curtains 
          close again and Kermit comes back out to sing, "To introduce our 
          guest star, that's what it's time to do. So it really makes me happy 
          to introduce to you... Miss Juliet Prowse!" But instead 
          of the curtains opening to reveal a shot of the guest, Juliet walks 
          out on stage in front of the curtain and sings, "It's very nice 
          to be here/I'm pleased to say hello."  Then 
          finally the curtain opens to the shot used in the final version of the 
          cast on rising wedding-cake like risers singing the final verse with 
          the same gag that eventually aired with the mallet exploding upon impact 
          leaving a blackened Gonzo.
 [With all 
          these extra verses, the one verse that does NOT appear is the extra 
          verse Kermit sings in the episode three opening. "Our show tonight 
          will feature some stuff that looks like this..." Most likely the 
          creative team felt the original open was too long and planned to condense 
          all the stuff about dancers and songs into this new verse, but this 
          idea was scrapped and left intact for just that one episode.] [It was 
          also probably a wise decision to replace the guest star singing with 
          shots of the guest instead. Not only does it condense time a little 
          more, but also is less embarrassing to guests that may not be singers. 
          It also adds a bit more variety since the singing concept would have 
          the guests pretty much doing the exact same thing week after week whereas 
          with the brief shots, they can show the guest mugging it up in different 
          ways with different Muppets. Rita 
          Moreno can fend off an attacking Animal and Avery 
          Schreiber can wildly shake his hair to the fawning admiration of 
          weird aliens, for example. Still the singing version had an advantage 
          in that it completed the rhyme scheme ("hello" with "Muppet 
          Show") and it flowed better melodically. Without this lead-in, 
          the final lyrics end on a chord that sounds odd without the part that 
          was cut out since it resolves that particular melody line.]  [The 
          aired version shows a shot of Juliet Prowse with the Gazelles getting 
          a little too friendly. This may have been shot either for promo purposes 
          or they may have already been thinking of possibly using a cutaway shot 
          instead and wanted to see how both would work in the final edit.]
 [In the 
          final shot of the cast on the risers, Gonzo, Fozzie, Wayne and Wanda, 
          and Kermit are there as well as all the female chorus plus Boppity and 
          Snake Frackle. They're joined in this shot by four whatnot males who 
          don't appear anywhere else in the opening theme in either this or the 
          final version of the theme.] CURTAIN  
        KERMIT: 
          Hello everybody and welcome to The Muppet Show. The whole gang is here 
          and rarin' to go! We were going to open up the show with Sonia and her 
          singing seals, but...uh...well...unfortunately the seals got the flu 
          and to be honest with you, without the seals, Sonia doesn't have much 
          going for her! But instead, we're going to open the show with one of 
          the funniest young comedians in the business, Mr. Mirth himself...Fozzie 
          Bear!" (APPLAUSE)  
        FOZZIE'S 
          COMEDY SPOT (Fozzie 
          now has his eyebrows where they will remain for the rest of the episode.)  
         
           FOZZIE: 
            Oh thank you! Oh, I love you! What a great audience - oh yeah! Oh, 
            I'm really happy to be here, yeah! I just got back from a three week 
            engagement in London. The engagement would have lasted longer but 
            her parents didn't like me!
 (Laughter 
            from audience)  
          FOZZIE: 
            Just kidding though, I'm already married. My wife is a titled lady! 
            The Heavyweight Champion of the World!" (Only 
            a little laughter from audience)  
          FOZZIE: 
            I wouldn't say she was fat, but when she goes swimming, she has to 
            get clearance from the harbor master! (Silence 
            from the audience save for a single "Boo!") FOZZIE: 
          What do you expect? I'm just a bear. If you want laughter, get a hyena!  
        [Cut to 
          Statler & Waldorf in the balcony]  
         
           STATLER: 
            How do you like the kid?
 WALDORF: 
            I'd like him better if he was doing a comedy act.  
          FOZZIE: 
            Hey hey hey...come here... speaking of families, I come from a really 
            nutty family. Yeah yeah...my brother went crazy trying to throw away 
            a boomerang!" (BOOS!)  
          FOZZIE: 
            A boomerang! STATLER: 
            Boo! Terrible!  
          WALDORF: 
            Boo! Get off the stage! [Profile 
        shot of Fozzie being met with massive jeers as Kermit is seen looking 
        out onto the stage from the wings shaking his head,]  
         
          FOZZIE: 
            Oh, I'm rolling now! KERMIT 
            (as camera pans over to him): Boy, the kid could use some new lines.  
        BACKSTAGE Kermit 
          makes his way backstage and notices a female whatnot chorus lady. Wayne 
          can be seen on the upper level going into his dressing room.  
         
          KERMIT: 
            Hey Roxanne, I was wondering if perchance if uh after the festivities, 
            you would join me for an evening of gourmet delights and terpsichorean 
            artistry?" (Aside to camera) "Boy, am I smooth!" ROXANNE 
            (Eren Ozker): Could you be more explicit?  
          KERMIT: 
            Uh sure...what are you doing after the show? ROXANNE: 
            Nothing.  
          KERMIT: 
            Well, how about a date?  
          ROXANNE: 
            Then, I'd still be doing nothing!  
          KERMIT 
            (as Roxanne walks off): Maybe *I* could use a new line! Hmmhmmhmm..let's 
            see what's happening in my office here... (Walks 
            over to his smaller desk on the extreme left of the set past the stairs. 
            Hilda is coming out of the door.)  
          KERMIT: 
            Oh hi, Hilda. HILDA: 
            Oh, Kermit! The backstage is a mess! These girls just THROW their 
            costumes EVERYWHERE! When I began in the theatre, we had RESPECT for 
            our wardrobe!  
          KERMIT: 
            Hilda...when you began in the theatre, the only wardrobe was a fig 
            leaf!  (Hears 
            Fozzie's music) KERMIT: 
            Oop...Fozzie's finished...excuse me...I gotta go introduce the Great 
            Gonzo!  
          (Camera 
            follows Kermit as he crosses the set as Fozzie walks off the stage 
            mopping his face with his tie.) FOZZIE: 
            Oh..oh boy, good crowd, good crowd, good crowd!  
         CURTAIN
  
         
          KERMIT: 
            And now ladies and gentlemen, it's time to present the Great Gonzo 
            who will eat a rubber tire to 'The Flight of the Bumblebee!' Uh...let's 
            hear it for the Great Gonzo! GONZO: 
          Thank you...thank you! A rubber tire!...  
        [When Kermit 
          brings on Gonzo, the camera cuts to a side shot of Kermit with Gonzo 
          coming out from the wings from stage left. It's very rare throughout 
          the show's run that a glimpse is seen of the stage left wings...though 
          a similar shot is later used in episode 11 
          when Kermit introduces Gonzo.] [Gonzo's 
          voice is different during this part. It sounds as if the voice is being 
          done by Jim Henson even though Jim would be performing Kermit in the 
          same shot. Since Dave Goelz would voice Gonzo when he later appears 
          backstage, it's possible that there either was an audio problem meaning 
          the line would have to be looped and Jim did it or Gonzo may have been 
          originally intended to be a Jim character. Though if this was the case, 
          it would have been a short lived decision since as mentioned, Dave does 
          voice Gonzo later.] BACKSTAGE  
         
          FOZZIE 
            (talking with Hilda): Oh boy oh boy, I killed out there, huh huh? KERMIT 
            (passing by in background): Yeah, I knew something died! FOZZIE: 
            Well, maybe I'm too hip for the room...FROOOOG! HILDA: 
            I'll never forget when my father took me to see The Great Polko! There 
            was a clown in the true tradition! Oh, he was the funniest - no gimmick, 
            no shtick! He'd go out there with only floppy shoes, seltzer bottles, 
            fright wig, and a pig bladder!  FOZZIE: 
            But I go out there with nothing.
 HILDA: 
            I know...you should try going out there with an act! (Boos are heard 
            from the audience as Gonzo comes offstage.) FOZZIE: 
            Hey, really tough audience, huh Gonzo? GONZO: 
            YOKELS! They don't appreciate a true artist ... ptew ptew... KERMIT 
            (making his way to his intercom): Hey, 'scuse me guys...HEY EVERYBODY 
            ONSTAGE FOR 'AT THE DANCE'...'AT THE DANCE!'  FOZZIE: 
            Uh Kermit, where could I get a pig bladder?  
        AT 
          THE DANCE ["At 
          The Dance" is exactly the same as the aired version though it cuts 
          off before Mildred yells at Flower Eating Monster.] ORCHESTRA 
          PIT Animal 
          does a quick drum solo wildly hitting his drums. He is hit back by a 
          boxing gloved fist coming out of one of the drums (in a similar manner 
          to that of the "punch bowl" in episode 
          12.) MUSICAL 
          NUMBER - "MAHNA MAHNA" ["Mahna 
          Mahna" appears here exactly as it aired in the final version.] BACKSTAGE  [The 
          scene with Juliet coming out of her dressing room and talking with Kermit. 
          The scene is the same although it's from a different take. Even though 
          some of the delivery of the lines are different, the lines themselves 
          are all the same except Juliet says "No, none at all" instead 
          of "None whatsoever." The other notable difference is after 
          Juliet delivers her final line, Mahna Mahna pops up behind her and gives 
          her a "Mahna Mahna!" Mahna can be seen just starting to emerge in 
          the last frame of the broadcast version. (The aired version contains 
          an exchange between Kermit, Scooter, and Muppy before cutting to the 
          Juliet scene previously taped.)]
 ONSTAGE Kermit's 
          intro and Juliet's Prowse's "Solace Dance" are both the same 
          as the aired version. BALCONY  
         
          STATLER: 
            Well, it's intermission time. I'm going to get a soft drink. WALDORF: 
            You already have one there in front of you!  
          STATLER: 
            Oh, I forgot... (Accidentally 
            knocks it off balcony ledge. A long pause as Statler and Waldorf look 
            at each other, then look down.) STATLER: 
          Look out!  
         UK 
          SKIT: MUSICAL NUMBER - "YOU AND I AND GEORGE"
 [The same 
          as eventually aired though the last shot of Rowlf performing the song 
          is from a different take. The performance and delivery is very much 
          the same except at the very end Rowlf's hands play over each other and 
          he gives more of a flourish.] TALK 
          SPOT/BALCONY [The talk 
          spot is essentially the same but most of it is from a different take. 
          Kermit and Juliet both deliver their lines differently (Juliet hams 
          it up a bit more), but the lines themselves are basically the same except 
          for a few insignificant "reaction" lines. Statler and Waldorf's 
          "More more!"/"Less less!" is the same.] BACKSTAGE  
         
          KERMIT 
            (calling into intercom): Uh, Muppet Players on stage please! Muppet 
            Players on stage! FOZZIE 
            (as the bartender, Rowlf, and Miss Kitty cross in the background): 
            Oh...uh...am I a Muppet Player?  
          KERMIT: 
            Oh no, you're a Radio City Rockette! FOZZIE: 
            Oh. KERMIT: 
            OF COURSE YOU'RE A MUPPET PLAYER! FOZZIE: 
            Oh oh oh - good oh good! KERMIT: 
            Boy, where would they be without my astute leadership?  
        INTRO A sign 
          fills the screen reading "The Muppet Players Present - Cowboy Time" 
          as Kermit provides voiceover: "The Muppet Players proudly present 
          "Cowboy Time!" Camera pulls back to reveal sign is a small 
          card Kermit has on a stand in front of the curtain.  
        KERMIT: 
          'Cowboy Time'? Is that the best we could do?"  
        COWBOY 
          SKETCH/BALCONY This is 
          the same as what aired except after Fozzie announces "This is a 
          stickdown!", the following exchange occurs:  
         
           BARTENDER: 
            That don't make no sense!
 ROWLF: 
            Yeah, uh..maybe you mean 'Reach for the SKY, this is a stickUP!' FOZZIE: 
            Oh oh oh yeah...check! All right - nobody panic! Everybody keep your 
            money and throw your head on the floor! Oh oh, no wait! Uh, keep your 
            floor and ... and throw the money..oh...  
          FOZZIE 
            (to bartender): How does that go, huh? BARTENDER: 
            Uh, what you want is our money right?  
          FOZZIE: 
            Yeah! Oooh yeah! No funny stuff or I'll plug you with my two-guns! ROWLF: 
            Uh...you mean your six-guns.  
          FOZZIE: 
            Uh no no, TWO guns...you see I can only hold one in each hand! ROWLF: 
            Yeah, but the two guns are six-guns! FOZZIE: 
            How can two guns be six guns? ROWLF: 
            EACH GUN IS A SIX-GUN! FOZZIE: 
            You mean I got 12 guns? ROWLF: 
            Oh, brother! BARTENDER: 
            As a matter of fact kid, you ain't got NO guns! Those are pickles!  
        In the 
          aired version, the bartender's last line is looped with "You're 
          confused kid, you ain't got no guns...those are pickles" (The lip 
          sync is noticeably off) and the rest of the sketch plays out. The only 
          other difference is in the shot where the apple explodes, the Muppets 
          can be seen shaking in panic for a couple beats before the explosion. 
          The following balcony scene is the same. ONSTAGE The Juliet 
          and Zoot blackout gag is the same as what aired except the sound effect 
          when the stole takes its leave is a more "alien" type noise. BACKSTAGE  
         
          KERMIT: 
            Uh, CLOSING NUMBER IS NEXT! EVERYBODY ONSTAGE FOR THE CLOSING NUMBER! FOZZIE: 
          Uh...what's the closing number?
 KERMIT (sarcastically): Twelve!
  
        CLOSING 
          NUMBER - "TEMPTATION"  The 
          original version and the broadcast version are the same, both with Frank 
          Oz doing Piggy's spoken lines and Richard Hunt doing the singing. The 
          only difference is that the original version omits the following lines:
  
         
          CHICKEN: 
            You wave that stick wonderfully! PIG: 
            Yeah, when it comes to stick waving, Kermit wrote the book!  
        STAGE 
          CURTAIN/CLOSING THEME 
 All of the closing: the goodnights, closing theme footage, and balcony 
          comment are the same as what aired. Some of the credits, of course, 
          are different as listed above.
 Guide 
        Written byD. W. McKim and Phillip Chapman
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